Encaustic painting has its roots in ancient Greece, where it was used by shipbuilders to waterproof and caulk their work on the hulls of ships. Encaustic comes from the Greek word “enkaustikos” which literally mean “to heat” or “to burn”. Heat is used at every step of encaustic painting to fuse the medium layers to the substrate (canvas, board, etc.) The medium is comprised of beeswax and damar resin, a natural pine tree resin. There can be as much as 50 or more layers of medium in a single painting. Carve, embed, scrape away, paint and then do it again. It’s unpredictable, contrary and oddly sensual. It’s a process that satisfies my improvisational and tactile nature.
Beeswax paintings require the same basic care that you would give to any piece of art. You do not want to expose it to extreme temperatures –freezing or anything above 120 degrees. It’s perfectly safe hanging in direct sunlight, however, you don’t want to leave it in a car or trunk on a hot or freezing cold day. Beeswax often creates a “bloom” which is a slight dusty look to the top layer of wax. If you see this and don’t like it, simply lightly buff you painting with a soft cotton cloth – and voila, it will be back to its shiny original finish.
Below: Lorna Doone, encaustic on birch panel. Inspired by the 1869 novel by R.D. Blackmore which I read as a kid. It tells the tale of a young, fearless woman named Lorna Doone who bucks family tradition for love. Packed with daring escapades and fierce battles, the story is set on the towering cliffs of Exmoor. I pictured Lorna on a windy, moonlit night facing her enemies. Once I was happy with the composition, I set it aside for a day to allow the wax to harden. Then I carved and scratched into the surface wax to reveal the layers underneath. It creates a sort of 3-D wood cut.
A variation on encaustic includes working with collage images. I started with a gessoed cradled board and applied several layers of tissue, scrap paper and personal images. After applying several layers of clear wax, I dug into the surface and rubbed india ink into the engraved texture.
HER YELLOW LEOTARD, encaustic on cradled board, 16” x 16”. Best In Show Award, 2026